

At the time the simplistic narratives and boldly graphic visual mannerisms of comics and advertising were understood to resist the powerful postwar legacy of abstract expressionist painting—the highly subjective processes and grand claims for psychic content that characterized the work of Jackson Pollock, Mark Rothko, Willem de Kooning, and other New York School artists whose achievement had recently placed American art at the center of a world stage.
I found these awesome little books while rooting around at Hub’s Place in Ithaca last fall. I've scanned in parts of two of them - Patter Parade (published in 1947) and Flip Lines (published in 1952). The books have page after page of jokes, gags, and come-backs for professional comedians speakers, and magicians. I bought them thinking of Sara and her love of corny jokes but have never got around to sending them out to her. I just re-discovered them as we’re sifting through our junk for the move.
The author, Robert Orben, wrote them, and dozens of other books like them. Mr. Orben is a long-time professional comedy writer who has written for all sorts of famous comedians. These are genuine, old-school jokes and gags from a guy who must have created hundreds of thousands of jokes in his lifetime. He wrote Jack Paar’s monologues for the old Tonight Show and helped write speeches for Nixon & Ford. If you can believe it, in1963 or 1964, every day he was sending a page of jokes to Dick Gregory (social activist/comedian) – AND a page jokes to Barry Goldwater (arch-conservative). Here's a great interview with him from 2004 where he talks about his carer, writing jokes and speeches, and comedy.
I've put some of my favorite lines below, but my favorite overall is the entire routine titled "My second impression of an evening with a push button radio."
Dancer:
No Laughs:
Beautiful Girls:
Restaurant:
Hospital Daze:
Crime doesn’t pay but the hours sure are good!
Wardrobe | Free (basement of | $60 |
Ikea chair | Free (from Rhonda) | $45 |
Green chair | < $15 | $35 |
Ikea bar stools | Free (from Rhonda) | $20 |
Corner shelf | < $50 | $60 |
Record player | Free (from Juan Carlos) | $45 |
Porch glider | $35 | $150 |
Wardrobe | Free (basement of | $60 |
Vintage linen | < $3 | $6.99 |
Ikea sofa | $50 (sofa was free from Rhonda, cover $50) | $45 |
My blog is worth $2,258.16.
How much is your blog worth?
The aim of the thesis is to study the search for things and how it influences individuals and their relations to objects and the places in which they search.The thesis focuses on what is termed serendipitous searching – i.e. an activity of open browsing for anything that awakens the person’s interest. That means that the people in the study are not just looking for certain things – they are also seeking to come to terms with what they are actually looking for. Ideals of what is beautiful, useful and reasonable materialise in conjunction with the experience of what is available and what is absent or out of reach. It is suggested that this mode of looking for goods is not only about purchase deliberations, but more importantly is a specific way of interacting with the world and making places meaningful. It can be viewed as a way of creating and moderating anticipation, and thereby cultivating affect. Searching for things thus becomes an experiential horizon.
Part I: “Searching and Space” deals with how searching for something becomes a specific way of engaging with the physical surroundings. The landscape becomes a taskscape, i.e. an array of physical structures linked together by a set of related activities. Part II, “Discoveries and Rubbish” explores how the activities of searching charges objects with qualities. Through two different environments, searching is analysed as a way of elevating things from the status of rubbish to one of discovery. Part III: “From the Horizon of Finding” focuses on how the searchers’ aims are transformed when they encounter the objects that really exist.